Messiah

Few works in the choral-orchestral repertoire have achieved the enduring cultural and spiritual impact of George Frideric Handel’s Messiah. Composed in just 24 days in 1741, this English-language oratorio has become synonymous with both the grandeur of sacred music and the intimate expression of personal faith. This performance brings together the Zephyr Symphony and Zephyr Chorus under the direction of Don Scott Carpenter, joined by a distinguished quartet of soloists: soprano Shawnette Sulker, countertenor Kyle Tingzon, tenor Alexander John Perkins, and baritone Corby York.

Rather than telling a single narrative, Messiah is structured in three parts: the prophecy and birth of Christ, his passion and resurrection, and the promise of redemption. Drawing from Scripture and curated by librettist Charles Jennens, the text forms a theological meditation rather than a dramatization—inviting audiences into contemplation rather than spectacle.

Soprano Shawnette Sulker brings radiant clarity to arias such as “Rejoice greatly” and “I know that my Redeemer liveth,” her voice imbued with both virtuosity and conviction. Kyle Tingzon’s countertenor lends haunting beauty to “He was despised,” a moment of profound pathos and dignity. Tenor Alexander John Perkins delivers the narrative clarity and expressive fervor central to “Comfort ye” and “Thou shalt break them,” while Corby York anchors the work with the commanding authority of “The trumpet shall sound” and “Why do the nations so furiously rage together?”

The Zephyr Chorus and Symphony—vibrant new voices in San Francisco’s musical landscape—approach Messiah with both reverence and fresh energy. Under Carpenter’s direction, this performance balances Baroque elegance with dynamic immediacy, honoring the historic tradition while speaking to today’s audiences.

As the “Hallelujah” chorus resounds and the final “Amen” ascends, we are reminded that Messiah is more than music—it is a communal act of praise, resilience, and hope that continues to resonate across centuries and cultures.